Post Christmas/New Year Movie Catch-up

It's been a while since I wrote anything, so I thought I'd do a quick catch-up.

Child 44

An adaption of the book by Tom Rob Smith. Leo Demidov (Tom Hardy), a former Soviet war hero and working for State Security, tracks down a child-killer while trying to save himself from an ambitious colleague (Joel Kinnaman).

Not as good as it could have been, too much of the plot revolves around Leo and his wife trying to avoid the Gulag and, when he does catch up with the villain, it's almost an afterthought. Not bad, but might lead to better sequels.

Noah

Based on the book of Genesis characters, Noah (Russell Crowe), the last descendant of Abel, is tasked by God to save the creatures of the Earth at the cost of the human race, which has become corrupt and barbarous.

Despite a faintly ridiculous plot, it's a reasonably coherent film, marred only by it's length.The acting is good enough, even from Ray Winstone as Noah's nemesis, but it's only an average pizza movie. Ray Winstone as God might have been entertaining, though.

The Wolf of Wall Street

A story of greed and excess from Martin Scorsese, Jordan Belfort (Leonardo DiCaprio), an out of work trader, realises there's a clever way to separate the unsuspecting from their money...

Can't say I like it, 'cause I don't. It's puerile and hollow, a pale shadow next to any of his previous films, even Goodfellas.

Taken 3

The latest of the Taken series sees Bryan Mills (Liam Neeson) framed for the murder of his ex-wife, kill a load of Russian gangsters and finding out it's her new husband wot done it. Or something. I am past caring.

Birdman

Winner of this years Oscar for Best Film, beating Grand Hotel Budapest, Selma and The Imitation Game, Riggan Thomson (Michael Keaton), a has-been actor used to super-hero roles, tries to stage a play on Broadway.

I'm not quite sure how this got onto the list, but it must have seemed a good idea at the time. A gesture to stepping outside the comfort zone, perhaps. It does seem like a film that actors, especially film actors, would understand, a sort of in-joke. It left me feeling a bit cold, however, with the mix of fantasy and reality recalling Terry Gilliams The Fisher King, without any of the latter's charm. Played straight, it might have worked.

Star Wars: The Force Awakens

I got to see the latest Star Wars and jolly good it is too. Abrams hasn't disappointed. The production is slick, with unobtrusive CGI. The plot, while including elements of the original, is workman-like and has enough twists and turns to make it enjoyable. The best parts for me, however, are the knowing nods to the fans (I especially liked the Millenium Falcon with a tarpaulin over it). Above all, there was no cuteness in it: no Ewoks or Jar-jar. And the Stormtroopers still can't shoot straight.

Rather than show yet another trailer, Disney are promoting Star Wars: Rebels, which is worth a look:

Have a happy New Year, everybody.

Movie Hardmen - Riddick, The Gunman and Run All Night

In a bit of a movie update, first the belated and imaginatively titled third instalment of the Riddick series.

Our eponymous hero, having grown slipshod in his security arrangements as leader of the Necromongers, finds himself stranded on a hostile planet, pursued by two groups of bounty hunters.

Other than money, it's difficult to see why this film was made, as it's just a rehash of the first film, with bits of the second thrown in for good measure. Mr. Diesel looks like he had fun, and it's all workman-like, just... why bother?

Much better is Sean Penn's attempt at the tough-guy genre with The Gunman. Jim Terrier (Penn), a mercenary working for an NGO in Africa, searches for who sent a hit squad after him.

With a good plot, if a bit slow, and a decent supporting cast including Javier Bardem, Ray Winstone and Mark Rylance, Penn's able to hold down the hard-man role pretty well, and there's plenty of bangs and crashes. It's different enough to be an above average pizza movie.

Lastly, the latest Liam Neeson vehicle. Burn-out gangster and estranged father, Jimmy Conlon, is given a chance at redemption when his son Mike (Joel Kinneman) witnesses a murder.

Neeson seems to be picking better films to do between Taken sequels at the moment, and this is no exception. It's plot keeps a decent pace, if a little predictable, and there's a great supporting cast with Ed Harris as the former friend turned Nemesis. And just in time for Christmas.

Movie Catchup: "If It Bleeds, It Leads"

It's been a while since I wrote about the films I've been watching, so here goes. First up, a comment on modern news media.

Nightcrawler

Louis Bloom (Jake Gyllenhaal), a petty thief and hustler in Los Angeles, encounters a freelance news crew at the scene of an accident.

An update of Network with a central character that makes Tony Curtis's Sidney Falco look compassionate and altruistic, Gyllenhaal gives a strange and chilling performance as the amoral anti-hero Bloom. The plot and direction are excellent, and he's ably supported by Rene Russo, as the news director who encourages him, and Riz Ahmed, as his gullible assistant. Both the movie and Gyllenhaal's performance are Oscar material, in my view, and the film is highly recommended.

The Equaliser

Next, a remake of the 80's TV series with Denzel Washington. Working in a hardware super-store, Robert McCall (Washington) lives a quiet, unassuming life until he tries to help a young prostitute.

Although it nods to the original TV series, this film is really a copy of an earlier Denzel movie, Man on Fire. Washington adds class to what would otherwise be another addition to the vigilante genre (Taken, Three Days, etc.), and there's been a bit more thought put into the plot and characters than normal, Marton Csokas as his Russian nemesis is particularly sinister. It is just a pizza movie at heart, however, just not a bad one.

Transcendence

This is Johnny Depp's attempt to make a serious science fiction movie. After being assassinated by an anti-technology terrorist group, Dr. Will Caster (Depp), an A.I. expert, has his consciousness uploaded into a computer.

Although the special effects are good, the film is let down by the plot, which lacks pace and energy at critical points. This is probably because it's trying to deal with philosophical issues (human identity and the singularity) in a medium that doesn't easily support their discussion. The acting is okay, if a bit pedestrian, which reflects the dull dialogue, and there's a few A-Listers to fill in, but overall I felt that it was just a little too slow.

A Walk Among The Tombstones

The latest vehicle for Liam Neeson, he plays a retired policeman hired by a drug dealer to investigate the disappearance his girlfriend.

From a novel by Lawrence Block, Neeson does well as the recovering alcoholic Matt Scudder (the start of a possible series). The plot is well conceived and translates well onto the screen, although Scudder's teenage sidekick T.J. (Brian Bradley) could have done with being older. After seeing Neeson in worse films, it was nice to see him in something decent. This was also the second film with David Harbour in a supporting role (he played a crooked cop in The Equalizer)

Jack Ryan: Shadow Recruit

Yup, Tom Clancy's hero gets a reboot. After recovering from his injuries in Afghanistan, former marine Jack Ryan (Chris Pine) becomes a financial analyst working secretly for the C.I.A. when he comes across a plot by Russian intelligence to collapse the American economy.

Directed by Kenneth Branagh, who also plays Ryan's nemesis, the plot is reasonably good, if a bit cartoon, and the acting more than adequate, given that Pine is supported by Kevin Costner (much better cast than in the previous movie), as his boss, and Keira Knightley as his wife. Not a bad pizza movie, if a bit predictable.

The Naked City

A classic not-quite-noire from the 1940's, New York police detectives Lt. Dan Muldoon (Barry Fitzgerald) and James Halloran (Don Taylor) investigate the murder of a good-time girl.

The acting is a bit wooden and there's not a bad cop in sight, but the real gem is seeing New York, New York in the 1940's (some of the sound is bad because they were filming in people's apartments and houses). The director, Jules Dassin, was one of the more adventurous in America, but was eventually blacklisted for his communist sympathies and moved to Europe. There are a thousand stories in the Naked City, and this was one of them.

It's The (Dead) Rozzers Part 2! R.I.P.D. and Non-Stop

Two from my Amazon film subscription. First the latest Liam Neeson film. Struggling alcoholic U.S. Air Marshal Bill Marks (Neeson) sets off on a trans-Atlantic flight, but is being sent mysterious messages threatening the safety of the passengers and crew:

With a ridiculous plot, bad pacing (there's are some very tedious moments) and small details that let the whole thing down (why would RAF Typhoons be anywhere near Iceland?), the only saving grace is the action scenes, special effects and the cast, although wasted. Better than nothing, but not much.

Marks might have been better off dead, which brings us to my next film, R.I.P.D. Having being shot and killed by his partner (Kevin Bacon), Boston Detective Nick Walker (Ryan Reynolds) is teamed with a former western lawman (Jeff Bridges) and tasked with returning "deadoes" back to the afterlife:

From a comic book of the same name, this is an enjoyable hybrid of Ghostbusters and Men in Black, let down only by Bridges trying to lampoon his own version of Rooster Cogburn. The effects are good and the supporting cast, especially Bacon, Mary-Louise Parker as their boss and Robert Knepper as their first suspect (much underused). Good fun and a decent pizza movie.

Wrath of the Titans

A sequel to Clash of the Titans, this has an actual Titan in it, Chronos.

Perseus is forced out of retirement to rescue his father, Zeus, after he has been imprisoned by Hades, Lord of the Underworld, and Ares, God of War.

Although a good pizza film, it is inferior to the last one. Neeson and Fiennes seem to enjoy themselves as brothers Zeus and Hades (good casting getting Ralph Fiennes to play the morose God of the Dead), and the special effects are up to scratch, especially the Cyclops's and the amazing labyrinth. However, the film seems to be shorter and have less effort put in to it.

Unknown

Unknown is a not-half bad spy thriller starring Liam Neeson and Bruno Gantz. Dr. Martin Harris (Neeson) awakes from a coma in Berlin only to find that his life has been taken by someone else.



It's has more than a few twists and turns and, for a film not called Drive, it's got quite a good car chase.