Sunday 8 March 2015

The Winning of The Carbon War, with Jeremy Leggett

Yesterday I went to a presentation, hosted by the London Futurists, by Jeremy Leggett, who gave a similar presentation about eighteen months ago. His new book is currently in production and he gave us a brief overview of it's themes and possible content.

His main thrust was that renewables are succeeding to the loss of fossil fuels. Renewables, mostly solar and wind, but also wave and tidal, have become much cheaper over the last few years, in particular solar technology. This contrasts to fossil fuels, which investors are seeing as increasingly risky: in particular he cited the reluctance of Shell's shareholders to back it's exploration of the Arctic and the cost overruns of Kashagan oil field, which has only just started production after more than ten years. As previously, he also highlighted the problem with shale oil and gas production. The third theme is the concerns over climate change and the reduction in greenhouse gasses.

Jeremy was quite bullish, even when some of the audience pointed out flaws in his arguments, and he's almost as myopic in his support for renewables as his opponents are for fossil fuels (one question concerned the degradation of solar cells and the difficulty in recycling them, for which he had no answer).

There seems to be two main problems with renewable energy, and energy in general. The first is that renewables don't seem to be very portable or storable. Most renewables concentrate on generating electricity, which is relatively easy to do, but they are unreliable and to make them truly an alternative to fossil fuels will require the storage of the electrical output. I'm not talking car batteries here, but of the size that can keep a small town supplied for, say, a week. My father was involved, briefly, in the Dinorwic pump storage scheme in Snowdonia. This was designed to allow nuclear power stations to run at a constant rate, storing the excess power at low demand times for use a peak times. On a smaller scale, this is what's needed for renewables to viable as an alternative to, say, gas, which can be used on demand.

The other problem, slightly related, is that electricity cannot be used in places where fossil fuels are used due to energy density. Aviation, i.e. jet, fuel has a density of about 40 MJ/L. Lithium-ion batteries, such as you have in mobile phones, have about 3 MJ/L. You can't power a jet aircraft on batteries. You can create hydrogen using the electrolysis of water, which could then be liquefied. It might also be possible to chemically create hydrocarbon fuels, such as ethanol, which has a energy density of around 20 MJ/L. Still, it's a fair way off and not currently achievable.

Another, more subtle, point is that the "war" hasn't been won at all. The energy companies are starting to look at renewables and investing in them, thus increasing and extending their hold on energy production in the future. On those terms, it doesn't feel like a victory. We've merely swapped one form of cartel for another. Maybe it was the wrong war?

Ultimately, despite Jeremy's hubris, my electric bill is not going to get smaller and there's no renewable answer that gets me to work and back.

Update: As usual, the group has videoed the event and posted it on Youtube.


On the way back home, the train passed by a large solar farm on the outskirts of West Horndon, but, as I looked up, I saw about a dozen contrails criss-crossing the sky.

Sunday 1 March 2015

Movie Catchup: I'm As Mad As Hell, And I'm Not Going To Take This Anymore!

I've been blasting through movies at a fair clip over the past few weeks, so here's the highlights.

Network
A 70's movie, a last great golden age in my view before everything went all blockbuster and sentimental, and also Peter Finch's last. Howard Beale, a veteran news anchor, has a breakdown on live television, but it doesn't have quite the effect anticipated.


Perhaps it's not as shocking now as it was then, what with Celebrity Big Bother and Judge Judy, it does show it's deficiencies in plot and styling, but the acting is still great and not surprisingly won umpteen Oscars the following year.

Out of the Past
A classic film noire from 1946, starring Robert Mitchum and Jane Greer. Jeff Bailey (Mitchum) is running a garage in a backwater town in the California hills when a he's contacted by a past acquaintance with a job offer he can't refuse.


Although the plot is good, it's let down by Mitchum, who hadn't quite got the hang of acting at that time, and Greer who's more neurotic than fatal (she was no Ava Gardner). The highlight is Kirk Douglas, as the menacing Whit Sterling, who could act, and proceeds to do so, stealing the scene from Mitchum every time.

Need for Speed
A vehicle, if you forgive the pun. for Aaron Paul after his success in Breaking Bad. Having been framed for the death of his friend, Tobey Marshall (Paul) drives across America to compete in an unlicensed road race and revenge himself on the man (Dominic Cooper) who set him up.


Not a bad little pizza movie, if undemanding. There's almost no plot and the script sounds like it was written in an afternoon, but this is more than made up for by the car chases, which are breathtaking.

Snitch
Dwayne Johnson plays John Matthews, a construction and transportation owner whose estranged son is arrested in a DEA sting operation and makes a deal.


Dwayne continues his acting lessons, this time with the help of Susan Sarandon as an ambitious D.A., Jon Bernthal as an ex-con who gets unwittingly involved, and Barry Pepper as Matthews D.E.A. handler. Dwayne doesn't do too bad, and it's a good role for him, with a bit of action as well as acting. Give the guy a break: he's really trying!

I, Frankenstein
Dr. Frankensteins creation (Aaron Eckhart) is saved by the Gargoyle army to help save humanity from the demon horde.


Yeah, whatever. I couldn't really summon up the enthusiasm for this. It just seems like a group of media types got in a room and randomly threw Gothic stories around until something stuck. Watch only if you're bored.

Dead Men Don't Wear Plaid
And finally, one of the best comedy films ever made, and certainly one of the most original. Rigby Reardon (Steve Martin) is asked by Juliette Forrest (Rachel Ward), daughter of a noted cheese scientist, to solve the mystery of her father's death.


Funnier than a pack of hyenas in a laughing gas factory, Martin and Ward spark off each other wonderfully, but it's the "bit" players and the fantastic editing of all the 40's and 50's film clips that make it such a treat. Watch again and again.

Better Call Saul
Ooooo, speaking of Breaking Bad, a new series has started in the 'States about one of the characters. Jimmy McGill a.k.a. Saul Goodman, one-time hustler and con-artist, now tries to keep his head above water as a public defender.


Although I was a little disappointed with the ending of the parent series, this looks a little more promising.