3 Movies - Edge of Tomorrow, Guardians of the Galaxy and Three Days to Kill

The movies I get from Amazon are in threes and I managed to get them all replaced this time around and watched one after the other.

First, Three Days to Kill, a (perhaps unintentional) comedy thriller staring Kevin Costner as an ageing CIA agent trying to reconnect with his estranged family and offered treatment for his terminal illness in return for one last job.

An inferior competitor to the Taken series, even the occasional stabs at comedy don't really work and the whole thing, although workman-like, is a damp squib. Only the action scene's redeem it a little, but even those are run-of-the-mill. Ignore.

Next up, Guardians of the Galaxy, based on the Marvel comics, one of whose authors is one of my favourites, Dan Abnett of the Eisenhorn\Ravenor series. Having been kidnapped by extra-terrestrials as a child, adventurer and thief Peter Quill (Chris Pratt) manages to acquire a metal orb that attracts the attention of villain Ronan (Lee Pace).

Not bad. The plot's pretty good, if relentless; the action well paced and the special effects gob-smacking and original. The characters are a little too cardboard for my taste: Vin Diesel plays Groot who only says the same thing over and over again, "I am Groot", so everyone got their money's worth there. Dave Bautista as Drax the Destroyer is better value, but Bradley Cooper adds little as Rocket. The 70's sound track and Quill's use of it to connect with his past, especially his mother, does add a human touch and stops it all being too alien. A good all-round pizza movie.

By the way, without looking at the credits, see if you can spot Karen Gillan from Doctor Who.

Last, but far from least, there's Edge of Tomorrow, the latest Tom Cruise vehicle. After an alien invasion of near-future Europe, U.S. Army spokesman William Cage (Cruise) gets accidentally caught up in the human counter-attack.

It's like an over-the-top mash-up of Independence Day, Groundhog Day and The Longest Day. The technology (me being geeky) is incredibly well realised with lots of vertical take-off aircraft (similar to the V-22 Osprey currently in service) and hovercraft, as well as the exo-skeletons. The plot's a bit convoluted but its origins as a Japanese short-story might be responsible for that. Cruise and Emily Blunt, as the soldier who's experienced the same time-looping before, do well enough, but there is a sort of forgettable quality about the story (in a similar way to a previous Cruise film, Oblivion). A good enough pizza movie if you ignore all the resurrection undertones.

Here's a thing. There's a school of thought that says that recent movies have a preoccupation with ageing, death, longevity or immortality. The reason for this is that the people who make the movies (star in them, produce or direct them) are the so-called post war baby-boomer generation and mortality is catching up with them. This is expressing itself in the films (Cruise is 52 and Costner 60) so the idea has some merit.

Update: R.I.P. Oliver, Lazarus and 12 Monkeys

Just thought I'd do an update as it's been a few weeks and I've been a little preoccupied with work and whatnot.

R.I.P. Oliver.

A sad departure was my budgie Oliver who had been in declining health all last year, but worse in the run up to Christmas. Budgies are social creatures by nature and the loss of the female, Snowflake, the year before had hit him hard, plus he was around ten years old, which is about their lifespan.

He was a great budgie and he's missed already. Chez Lemon is very quiet.

Lazarus

On a different tack, I've been reading a copy of Greg Rucka's latest story, Lazarus, from Image comics:

It takes place in a dystopian future where society has descended into technically advanced fiefdoms run by families, each of which has a super soldier, or Lazarus of the title. The stories focus on the Lazarus of the Carlyle family, Forever, but in the second book, a story of a "waste" (a disenfranchised social class) family runs parallel to hers.

So far, there's little in the story which is positive or uplifting, but this is in keeping with Rucka's style (Queen and Country was a little bit like that, with no real winners, just survivors). The art work is also good, so it's all promising, if a bit grim.

12 Monkeys

Continuing on with the dystopian theme, the TV version of the Terry Gilliam film has been made over in the 'States and it looks good.

True(ish) Stories: American Hustle and Dallas Buyers Club

On the upside of a disruptive and chaotic Christmas/New Year (welcome to 2015, everybody), I watched a few films from my Amazon subscription. First up, two con artists (Christian Bale and Amy Adams) are blackmailed into an FBI sting operation:

On paper, this looks like it could be a really great movie, with a top notch cast and a true(ish) story, but the direction is poor and the casting laughable. Bale couldn't sell a lifebelt to a drowning man and generates no sympathy or empathy as the lead. Jennifer Lawrence and Amy Adams, as his wife and girlfriend respectively, do better, but, like Bale, are too young for the roles. Jeremy Renner is also good, but Bradley Cooper is just embarrassing. It's just simply not their kind of film. However, you do get a glimpse of what might have been when Robert De Niro turns up for 5 minutes and steals not just the scene but the movie.

Next is the Dallas Buyers Club. Ron Woodruff (Matthew McConaughey), after contracting HIV and developing AIDS, decides to treat himself and others using non-FDA approved drugs after the approved treatment fails.

The acting in the film is top notch, as you'd expect, with McConaughey ably supported by Jennifer Garner as his doctor and Jared Leto as his business partner, and the story is handled well. However, as with the previous film, I've always felt that true stories don't fit particularly well into film because a life cannot be told in 90-120 minutes. I always have a feeling that the truth is more complex and you're just getting half the story. Still, it's not a bad film and worth the watch.